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Norāde: 770 PRO 80Ohm
Zīmols: Beyerdynamic
DT-770 PRO 80 Ohm
Norāde: Scarlett 2i2 3rd Gen
Zīmols: Focusrite
2-Channel USB2.0 audio interface with USB-C connection
Norāde: CDP-S100
Zīmols: Casio
A MORE PERFECT ENTRY INTO THE WORLD OF PORTABLE KEYS THAN EVER BEFORE!
Norāde: DT-770 Pro 250 Ohm
Zīmols: Beyerdynamic
DT 770 PRO, 250 ohms: for mixing applications in the stud
Norāde: 70610
Zīmols: Showtec
A very compact, lightweight and versatile stage with little handling and a lot of possibilities.
Norāde: F310
Zīmols: Yamaha
6 stīgu akustiskā ģitāra, dreadnought korpusa modelis, krāsa: dabisks koks. Koka materiāli: egle, rožkoks, nato/meranti.
Norāde: AP-270WE
Zīmols: Casio
Casio AP-270WE White Digital Piano
Norāde: UR22mk2
Zīmols: Steinberg
2 x 2 USB 2.0 audio interfeiss ar 2 x D-PRE un 192 kHz atbalstu: 2 ieejas / 2 izejas, 24bit/192kHz, 2 D-Pre mikrofonu pirmpastiprinātāji, iPad saderīgs.
Norāde: ATEM Mini PRO
Zīmols: BLACKMAGIC
Introducing lowcost, multi camera, live production with advanced broadcast features.
When you’re ready to get serious about recording, it’s time to step up to PreSonus Eris-series studio monitors. Cheap computer speakers and home-stereo speakers won’t reveal the truth about your mix. They aren’t designed for that.
In contrast, Eris speakers are real studio monitors, delivering a very accurate response with a tight bass and very clear upper end. That’s what you need in a home studio. Thanks to well-designed Kevlar® low frequency transducers, low-mass silk-dome tweeters, responsive Class AB amplification, and professional acoustic-adjustment controls, Eris delivers the goods.
Yet Eris-series speakers are ultra-affordable, making them a terrific value. And with two models, you can easily find the Eris monitor that best suits your studio needs.
If space is at a premium, or if you want the ultimate in portability, consider the compact Eris E5, which takes up just 7 x 10.24 x 7.68 inches (178 x 260 x 195 mm) and weighs in at just 10.2 lbs (4.63 kg). You can shoehorn this little beauty into almost any studio space.
The E5 sports a 5.25-inch, Kevlar low-frequency driver, mated with a 45W, Class AB amplifier; and a 1-inch (25 mm), silk-dome tweeter powered by a 35W, Class AB amplifier. It can crank out a clean 102 dB SPL, peak. Frequency response is rated at 53 Hz to 22 kHz. For a studio monitor in its size and price class, that’s impressive.
For an extended low-frequency response and a bit more muscle, step up to the Eris E8. With its 8-inch, Kevlar low-frequency transducer, driven by a 75 watt, Class AB power amplifier, it can range down to 35 Hz. Like the E5, the E8 can reach all the way to 22 kHz, thanks to a 1.25-inch (32 mm), silk-dome, high-frequency tweeter. However, the E8’s tweeter is driven by a heftier 65W, Class AB amplifier. With its extra juice, the E8 can deliver up to 105 dB SPL, peak.
All Eris speakers have front-ported enclosures made of vinyl-laminated, medium-density fiberboard (MDF).
Both Eris models provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. When both balanced connections are in use, the TRS input will supersede the XLR input. The RCA input is summed into the signal path.
With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source. (If your signal source has unbalanced, ¼” TS outputs, simply use a ¼”-to-RCA adapter or adapter cable.)
Today’s music producers deal with a wide variety of musical genres and often work in more than one location. It’s easy to take your Eris speakers with you when you want to work in a different space. It’s almost as easy to customize their sound for your room and type of music.
The most basic control is the Input Gain, which determines the signal level before it reaches the power amp. This is part of gain-staging your overall system—that is, setting the levels for every part of the recording chain in order to get the optimal level of clean audio all the way through. Once you’ve gain-staged your system, you can leave this control alone.
The Eris E5/E8 provides three EQ controls in its Acoustic Tuning section: High, Mid, and Low Cutoff. These controls enable you to fine-tune the monitors and even to broadly approximate the sounds of different types of speakers so you can hear what your mix might sound like, for instance, on a car stereo or portable radio. The Low control also is useful when using the E5 or E8 with a subwoofer.
In addition to the Acoustic Tuning controls, Eris speakers offer a three-position Acoustic Space switch. This switch controls a second-order, low shelving filter that cuts the level of all frequencies below 800 Hz by a specified amount (-2 or -4 dB) to compensate for the boundary bass boost that occurs when the monitor is placed near a wall or corner. If you don’t want to roll of those lows, set it to 0 dB.
This combination of controls lets you create a linear response for accurate monitoring and enables you to simulate different listening environments, so you don’t have to listen to mixes on your car, consumer computer speakers, and home stereo to check how the music sounds with different systems. Instead, you can adjust the Eris monitors’ response and test your mixes without leaving your studio. No other monitors in this price class offer this degree of control.
Any loudspeaker is subject to an assortment of environmental and performance problems, and Eris monitors offer protection from most common of these. RF shielding protects against radio frequencies that could be induced into the signal and become audible. (If you’ve ever heard a radio broadcast unexpectedly coming out of a guitar amp, that’s the result of RF interference.)
Eris monitors also provide over-temperature protection to avoid heat-related issues, current-output limiting (to prevent damage should there be a short circuit on the speaker terminals), and subsonic protection to filter out extremely low-frequency vibrations that could interfere with the woofer’s performance.
Finally, Eris’ power amplifiers have a “soft startup” so that you don’t get damaging pops in the speakers when you power them up.
By now, it should be clear that Eris-series speakers deliver a lot more than you would expect from a budget-priced studio monitors. As you expect from PreSonus, they use quality components, are well constructed, and deliver professional audio quality. They’re lightweight and compact and look as professional as they sound.
But what really sets them apart from comparably priced systems are user controls that allow you to tailor the speakers’ response to your needs.
Don’t just take our word for it, though. Visit your PreSonus dealer and hear the Eris E5 and E8 for yourself!
Eris E5 | Eris E8 |
Inputs | ||
| 1- Balanced XLR | 1- Balanced XLR | |
| 1- Balanced ¼” TRS | 1- Balanced ¼” TRS | |
| 1- Unbalanced RCA | 1- Unbalanced RCA | |
Performance | ||
| Frequency Response | 53 Hz - 22 kHz | 35 Hz - 22 kHz |
| Crossover Frequency | 3 kHz | 2.2 kHz |
| LF Amplifier Power | 45W | 75W |
| HF Amplifier Power | 35W | 65W |
| Peak SPL (@ 1 meter) | 102 dB | 105 dB |
| LF Driver | 5.25” Kevlar® | 8” Kevlar |
| HF Driver | 1” silk dome | 1.25” silk dome |
| Input Impedance | 10 kΩ | 10 kΩ |
User Controls | ||
| Volume Range | A-type taper | A-type taper |
| MF Control | -6, 0, +6 dB | -6, 0, +6 dB |
| HF Control | -6, 0, +6 dB | -6, 0, +6 dB |
| Low Cut | Flat, 80 Hz, 100 Hz | Flat, 80 Hz, 100 Hz |
| Acoustic Space | Flat, -2 dB, -4 dB | Flat, -2 dB, -4 dB |
Protection | ||
| RF interference | RF interference | |
| Output-current limiting | Output-current limiting | |
| Over-temperature | Over-temperature | |
| Turn-on/off transient | Turn-on/off transient | |
| Subsonic filter | Subsonic filter | |
| External mains fuse | External mains fuse | |
Power | ||
| 100-120V ~50/60 Hz or 220-240V ~50/60 Hz | 100-120V ~50/60 Hz or 220-240V ~50/60 Hz | |
Cabinet | ||
| Vinyl-laminated, medium-density fiberboard | Vinyl-laminated, medium-density fiberboard | |
Physical | ||
| Width | 7” (178 mm) | 9.84” (250 mm) |
| Depth | 7.68” (195 mm) | 11.77” (299 mm) |
| Height | 10.24” (260 mm) | 15.12” (384 mm) |
| Weight | 10.2 lbs (4.63 kg) | 22.2 lbs (10.07 kg) |
No customer reviews for the moment.
Norāde: 8010AP
Zīmols: Genelec
Work where you need to, how you want to. With the 8010A, Genelec’s renowned accuracy and reliability comes in a monitor so compact it was made for the road.
id:132622
Norāde: V6 S4 pair
Zīmols: KRK
KRK Systems V Series 6 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. V-Series 6 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference.
id:127685
Norāde: RP5 RoKit Classic
Zīmols: KRK
Active Studio Monitor
id:135694
Norāde: yamaha-hs5
Zīmols: Yamaha
2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter.
id:127582
Norāde: PSTUDIMON5
Zīmols: Cameo
Powered 5" Reference Nearfield Studio Monitor
id:137209
Norāde: pioneer-s-dj50x-white
Zīmols: Pioneer
5" Active Reference Speaker Active reference speakers designed and optimized for DJ practice Constructed of highly rigid medium density fiberboard for maximum audio ...
id:127546
Norāde: pioneer-s-dj80x
Zīmols: Pioneer
8" Active Reference Speakers
id:127562
Norāde: sceptre-s8
Zīmols: Presonus
cena par pāri
id:123948
Norāde: Rokit RP7 G4 White Noise
Zīmols: KRK
The KRK Rokit RP7 G4 Studio Monitor is engineered to deliver the best listening experience possible. Boasting the same quality that made the previous generation so integral to your studio, the RP7 G4 still manages to work in new features. Matching Kevlar drivers ensure durability and unwavering quality, while a built-in LCD displays EQ information for...
id:135432
Norāde: 8341
Zīmols: Genelec
High headroom three-way with unbelievable imaging. The ultimate point source monitor.
id:132642
Norāde: IN-8
Zīmols: KALI AUDIO
Power. Detail. Soundstage.
id:135415
Norāde: 8341
Zīmols: Genelec
High headroom three-way with unbelievable imaging. The ultimate point source monitor.
id:132641
Norāde: yamaha-hs8
Zīmols: Yamaha
2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter.
id:127568
Norāde: 8350A
Zīmols: Genelec
Experience the adaptability of Smart Active Monitoring in a very powerful and precise SAM™ monitor, the Genelec 8350A.
id:132631
Norāde: 40USB
Zīmols: Behringer
Studiju monitori, jauda 40W, ar USB portu
id:125196